Jack Palance looked like no movie star before him. In an era of handsome leading men he was an original.
One of classic Hollywood’s greatest villains, the actor had the facial features and manner for the part. Richard Widmark, Palance’s costar in in 1950’s Panic In The Streets — his movie debut — once remarked that he was the only actor who really frightened him.
Born Volodymyr Palahniuk of immigrant Ukranian parents in Pennsylvania coal country in 1919, Palance’s famous mug survived early stints in the local mines, followed by a fairly extensive tour as a professional boxer (at least 15 straight victories, 12 by knockout).
His subsequent military tour in the early Forties centrally figured in what became something of a Hollywood mystery about the actor’s face.
Palance enlisted in the then U.S. Army Air Force, and found himself on a B-24 training flight out of the Davis Monthon air base in Tucson, Az. The plane caught fire and Palance, his face severely burned, was forced to bail out. Several surgeries were reportedly required before Palance was discharged in 1944. That, at least, how the story went.
Thus, those distinctive cheekbones and deep-set eyes pictured above were the attributed to extensive reconstructive surgery.
But, but, but — Palance towards the end of his career (he died in 2006 at age 87) threw cold water on the whole thing. He said the whole burning crash story was a phony, dreamed up by studio press agents.
One flack created the legend that I had been blown up in an air crash during the war, and my face had to be put back together by way of plastic surgery, Palance is quoted as saying. If it is a ‘bionic face,’ why didn’t they do a better job of it?
Take a look at the photo below of an older Jack Palance. You decide.
Palance was Oscar nominated twice and won once in the best supporting actor category (1991’s City Slickers). But perhaps his oddest screen appearance came in 1963 in the European-made Le Mepris (Contempt) directed by Jean-Luc Godard.
Somehow, Godard’s name is an odd fit with that of Jack Palance, much less with the movie’s female star, Brigitte Bardot. Additionally, Contempt was shot in lush Italian locations in glossy Cinemascope, and was coproduced by Joseph E. Levine, the Boston schlockmeister (1959’s Godzilla, King of the Monsters!) who went on to become one of Hollywood’s most ambitious independent producers.
The story based on an Alberto Moravia novel is about a frustrated playwright (Michel Piccoli) hired to write the script for a movie based loosely on Homer’s Odyssey. But Contempt is really about the making of a movie within the movie, and about the dissolution of a marriage between Piccoli and Bardot.
Palance appears to be the odd man out in the cast — which included director Fritz Lang — the only one speaking English as opposed to French or German. Palance’s character is that of a philistine Hollywood producer, bumptious and ignorant at the same time. He seduces the Bardot character at pays for it at the film’s end.
Enough to say that Contempt showcases Godard’s inventive direction, as well as an absolutely sublime musical score by George Delerue. It’s a beauty of a picture and one of Jack Palance’s most remarkable screen performances.
Actually, palance got 3 Oscar nominations. One for the movie he did with Joan Crawford, don’t remember the title SUDDEN FEAR I think. Also SHANE and winning for CITY SLICKERS.
What a face…
Jack Palance was my neighbor up in the Tehachapi Mountains of California. He had a beautiful sprawling 900 acre ranch, complete with cattle.
The locals all knew him, he often frequented the K-Mart to buy dog food. But one thing that might surprise everyone, is that Palance was very keen on poetry,
The tough, gruff bad guy of the screen had a very gentle, sensitive side to his persona. He had a very diverse, odd kind of career that saw him working a lot in Europe in the 60’s and 70’s, in movies that were clearly for the money to live on.
So many HOLLYWOOD leading men had to go to Spain, Italy and England, as their faces were a bit too weathered to command the star treatment anymore.
But the role of Curly in 1991’s CITY SLICKERS sure changed that.
I first met him at Universal in 1979, on a TV episode of Buck Rogers In the 25th Century. But he did have a short-lived TV series of his own called Bronk a few years earlier.
After he died, Palance’s beloved Holly Brooke Ranch, named for his two daughters, where he spent 42 years of his life… sold for a mere $6.5 million in 2008. It was valued at a whole lot more, and like so many other actors, so were the many memorable roles of the man himself!