Today we’d like to to introduce — humbly — our initial “best-of” set of choices, starting off in the film noir category. But we have a twist, ours are the best film noir you’ve probably never heard of.
We hope the following will inspire you to sample these fine films, which may or may not be recognized for the gems they are. We aim to please — and to surprise.
Ok, let’s get to our choices listed in no particular order:
—Stranger on the Third Floor (Remastered Edition), RKO, 1940. This tidy gem (running time, a zippy 64 minutes) stars Peter Lorre, one of the genre’s founding stalwarts, as a crepuscular creep who slits the throats of two victims. The script for this designated programmer is a bit wobbly, and concerns an upstanding news reporter (also a police suspect) and his clear-eyed fiancee. The visually impressive film is justifiably praised by cinephiles today for its many technical attributes that would later be adopted by Welles and (producer-creator) Val Lewton. It is considered the first true film noir.
— The Set-Up (1949), RKO, 1949. Film noirs are most often distinguished by the suitability of their stars (say, Robert Mitchum versus a stodgy Robert Montgomery or Humphrey Bogart versus a wiseacre Dick Powell). The star of this one, Robert Ryan, is terrific as an aging boxer brutally beset by mobsters because he wouldn’t take a dive. Ryan, in great shape, is utterly believable as the fighter, and noir notable Audrey Totter is on hand as the wife back in the shabby hotel room. Trivia: the ringside bell is struck by “timekeeper” Arthur Fellig, better known as Forties crime photographer Weegee.
— Detour, PRC, 1945. Tracking down a decent print of this one is well worth the challenge. Hollywood bad boy Tom Neal (who slugged actor Franchot Tone over the hand of party girl Barbara Payton) and Ann Savage give surprisingly convincing performances as a piano player (Neal) on his way to the coast and the murderous female hitchhiker who abducts him. (that’s them above) — Tense, tough, densely plotted and building to a downbeat, fatalistic conclusion. Who said film noir was for the faint of spirit?
— Too Late For Tears, United Artists, 1949. As we noted yesterday, Lizabeth Scott (born Emma Matso in Scranton, Pa.) is one of the most accomplished of noir actresses, appearing in many genre titles almost all good. She’s a big favorite of both Frank’s and Joe’s. She’s here in spades in this picture which mixes all the elements: 60-thousand G’s in a duffel bag tossed by chance into a passing convertible, a detective on the take (Dan Duryea, one of noir’s most talented regulars), illicit sexual doings, duplicity, double-crosses, guns and an unexpected fall from a balcony.
— The Hitch-Hiker, RKO, 1953. Two likable blokes (Edmond O’Brien and Frank Lovejoy) on the road pick up the wrong man, and all hell breaks loose. This one is based on a true-life incident, and was the only noir directed by a woman, Ida Lupino, who graced many a genre title as a superbly sultry actress. What pulls the movie together is the evil performance of working actor William Tallman as the murderous psychotic waving that pistol in the back seat. Tense, psychological drama. Get this and several others from this post on Classic Film Noir (The Man Who Cheated Himself / The Hitchhiker / Detour / D.O.A / Too Late for Tears / The Stranger / Strange Love of Martha Ivers / Quicksand / The Scar).
— T-Men, Eagle Lion Films, 1948. A cops-and-robbers saga, specifically about U.S. Treasury agents breaking up an especially brutal counterfeiting ring. There are creditworthy performances from Dennis O’Keefe and Alfred Ryder, among others, directed by Anthony Mann. What made this tense police hunt for us is the presence of one of our favorite working actors, Charles McGraw, as the sadistic nasty who slowly slays a stool pigeon (a hapless Wallace Ford) by locking him in a steam bath and then running up the temperature. Marvelous. Get this film and several others on John Alton Film Noir Collection (T-Men / Raw Deal / He Walked by Night) – The ClassicFlix Restorations on Blu-ray.
Finally, this bonus choice: Shoot the Piano Player (English Subtitled) (Tirez Sur Le Pianiste) 1960. French filmmaker Francois Truffaut’s second movie with Charles Aznavour starring as a cabaret pianist with a past beset by a criminal gang thanks to the antics of an inept brother. This one is not technically a film noir — strictly an American art form — but is more a hommage to the genre and a most enjoyable one at that.
So far this week FILM NOIR doesn’t seem to be a topic that shines with anyone except Joe, Frank and me…
Looking at their list they’re all good selections except for DETOUR.
I know all the film critics and scholars just rave about it, but to me it always looked like something weird director Ed Wood would make… And yes, I’m well aware of his big following.
But like Joe & Frank said “tracking down a decent print” is not so much a challenge these days, as there is a decent copy on YouTube.
I’ve gotten so many FILM NOIR’s off of YouTube, re-mastered unedited, the likes of THE BIG WHEEL, QUICKSAND, THE STRIP,
DRIVE A CROOKED ROAD, BABY FACE NELSON all with Mickey Rooney…
THE MOB, KISS TOMORROW GOODBYE, D.O.A. with Neville Brand…
PRIVATE HELL 36 with Ida Lupino…
THE WEB, 711 OCEAN DRIVE, THE HITCH-HIKER, BACKFIRE, MAN IN THE DARK, SHIELD FOR MURDER all with Edmond O’Brien…
THE BIG COMBO with Cornel Wilde… And there’s so many others available for FREE, and posted by fans. But you have to be persistent, as the good unedited ones are taken down more quickly than the others, but they also are re-posted by dedicated film fans who want to share. Sometimes you come across them by accident in your search, as posters have learned not to list them by their correct title.
Believe me, with DVD’s fast disappearing in the marketplace, your only choice will be expensive downloads, and expensive TV channels. And as they no longer make DVD recorders and the players are being phased out too, you’re really going to be stuck with something decent to watch, FILM NOIR or otherwise!
Joe & Frank’s links to AMAZON, really show how much it will cost you to watch what was once so freely available on all those free movie channels we grew up with…
Talk about PAY-PER-VIEW!