THINGS YOU WANTED TO KNOW ABOUT MICHAEL CAINE BUT WERE AFRAID TO ASK
Hello everybody— Joe Morella and Frank Segers here again.
We start with this question: is he a better writer than actor?
We’re talking about Sir Michael Caine, the veteran British screen star who also has written two excellent books about himself. The first, a great read, is titled (naturally enough) “What’s It All About,” and came out eight years ago. A second combination memoir-autobiography was published in 2010.
“The Elephant to Hollywood” (Henry Holt and Company, 304 pages) covers much of the same ground as Caine’s earlier book, but who cares? His career is literally a marvelous rise to stardom against all odds, and Caine tells us all about his amazing climb with facility and skill. A special bonus: the book had us, to coin a current movie critic cliché, laughing out loud, and often. Highly recommended.
How much you really do know about Caine, the person, the actor? Did you know that he has appeared in some 150 movie and tv titles, mostly feature films? (At 77, he is still going strong with several new films on the way.)
Caine’s real name is Maurice Joseph Micklewhite, and his South London birthplace was and still is known as “The Elephant and the Castle.” The name comes from a “coaching” inn for travelers that once occupied the site. As Caine makes clear in his book, The Elephant was a slum when he grew up there and is, if anything, in worse shape today.
Caine made his movie debut in 1956’s “A Hill in Korea,” later renamed “Hell in Korea.” He played one Private Lockyer. Caine had eight lines to say but forgot every one of them. The actor’s explanation: he was a bundle of nerves during shooting, “and it didn’t help to overhear one of the cameramen muttering, ‘It’s only one fucking line.’”
Caine’s career breakthrough was 1964’s “Zulu,” a historical drama set in the late 19th century about wildly outnumbered British officers under attack by Zulu warriors. Caine was cast as a “posh,” that is, an aristocratic British officer, Lt. Gronville Bromhead. When director Cy Enfield told Caine he had the part, the actor “threw up all over my shoes.” It was, Caine said, “the best piece of luck I have ever had in show business.”
Caine did a fair amount of stage work prior to and after landing his first movie part, but he appeared in only one Shakespearean role, as Horatio in a 1963 production of “Hamlet.” The title role was played Canadian-born Christopher Plummer.
Caine’s favorite of his films is “Zulu.” Second is 1965’s “The Ipcress File,” in which Caine received his first above-the-tile movie credit. (Said producer Harry Salzman, “If I don’t think you’re a star, who the hell else will?”) Third was, what else, “Alfie,” which won Caine his first Oscar nomination.
No, Caine did not have an affair with Shelley Winters during the making of 1966’s “Alfie.” In fact, the two didn’t communicate especially well during shooting. Writes Caine: “Shelley Winters told me that (because of the Cockney playboy title character’s heavy accent) she hadn’t understood a single thing I’d said to her … and had resorted to just watching my lips to know when to come in on cue.”
As for the “What’s It All About Alfie?” song by Burt Bacharach, played over the movie’s closing titles, it was written long after production and only after the composer saw “Alfie” in an American preview.