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Monthly archives for January, 2012

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YOUR FAVORITE VALENTINE’S DAY PICKS + Sage Observations From Our Email Bag

Jan31
2012
3 Comments Written by classicmovieguys

 

Hello, everyone.  Joe Morella and Frank Segers, your classic movie guys, here today reminding you that Valentine’s Day is just a week away.

In a move of maximum modesty, we decided to refrain from dictating our picks of the best movies to mark the romantic occasion. Instead, we ask you — yes, you!

Don’t be shy, please. We’d like to know about your Valentine’s Day favorites, both familiar (Casablanca, Brief Encounter, Annie Hall, When Harry Met Sally, Moonstruck, etc.) and unfamiliar. Especially the latter.

Is there a great romantic gem out there that you have been keeping to yourself all these years?  If so, now is the time to spill the beans. We’ll happily print your answers, so don’t hesitate to let the world in on your movie secret.

We’d like to know not only the title of your favorite Valentine’s Day movie, but what about it makes you like it so much.

We plan on publishing as many reader picks as we can in our Feb. 14 blog.  So, by all means, shake a leg. The sooner we receive your choice(s) the better. Just click onto the “Leave A Comment” box (upper right) and fire away.  Thanks.

Troweling through our email bag, we came across the response of regular correspondent and fellow blogger Patricia Nolan-Hall (Caftan Woman) to our Jan. 27 What’s A “Working Actor”? (Richard Jaeckel, Anyone?) blog.  As you’ll see, Pat has a favorite in the “working actor” sweepstakes:

I’ll put Wallace Ford at the top of the list. From “Freaks” to “A Patch of Blue” he did it all in the movies. (That’s our man pictured above and below)

A detective in “Shadow of a Doubt”, a snitch in “T-Men”, Jean Harlow’s leading man in “The Beast of the City”, the doomed Frankie McPhillips in “The Informer” and the philosophical cabbie in “Harvey”. He created the role of George in the Broadway production of “Of Mice and Men”. When he appeared on screen you could relax and enjoy a good performance because he knew what he was doing and never disappointed.

We couldn’t agree more, Pat.  Frank especially appreciates Ford’s expressions of pathetic desperation while being parboiled in a steam bath by nasty Charles McGraw in 1947′s T-Men.

In response to our Jan. 10 Carole Lombard & George Raft — Lovers? Can That Be? blog, we received interesting responses from two of our regular correspondents.  Kim Wilson provides the woman’s point-of-view about the plausibility of team Raft and Lombard as lovers:

I can see it. He had intensity and that can be attractive to women.

Our man Vincent tells us more about Raft’s liaisons:

It should be noted that among Raft’s other lovers were Norma Shearer (after Irving Thalberg’s passing), Betty Grable (pre-Harry James) and Mae West. He and Mae were lifelong friends — in later years, they talked on the phone daily — and he worked on both her first film (“Night After Night”) and last (“Sextette”). Raft and West died within two days of each other in late 1980.

Thanks, Vincent.

Finally, back to Pat Nolan-Hall, who took one look at the photograph of Spring Byington surrounded by Edmund Gwenn and Charles Coburn (costars of 1950′s Louisa) in our Jan. 25 blog, What’s An Old-Fashioned, Charming Picture Doing In A Place Like This, and wrote:

I scrolled down to the picture and “Bam!” I was a kid again, sitting in front of the TV on a Sunday afternoon watching “Louisa”. It’s been that long since I’ve seen that gem, as you so rightfully called it. Truly, they don’t make ‘em like they used to.

One of the plot points deftly and discreetly made in Louisa is that romance is indeed possible post 60 or even after 70.  Sounds like a great Valentine’s Day choice to us.

 

 

 

 

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Posted in Uncategorized - Tagged Did Carole Lombard have an affair with George Raft?, George Raft's lovers, Movies for Valentine's day, working actors

Mug Shot Monday — The Real Inaugural

Jan30
2012
2 Comments Written by classicmovieguys

Through the years many celebrity Mug Shots have proven to be gags.  The one above is not.  

Yes, it’s The Chairman of the Board, The Voice, Ole Blue Eyes.

Hello, everybody. Joe Morella and Frank Segers, your classic movie guys, here today to kick off our Mug Shot Monday series with a glimpse of a young Frank Sinatra pictured in hot water with police in Bergen County, New Jersey.

These photographs are probably familiar to hardcore Sinatra devotees, but they are new to us. Intrigued, we wondered, what did Sinatra do to deserve such treatment?

We certainly know that in his later years, Sinatra had many underworld connections. One of his pals, for example, was Chicago-based gangster Sam Giancana, who shared a mistress (Judith Campbell Exner) with President John F. Kennedy.

But the above mug shots were taken when Sinatra was a young man, just starting his career. What puzzled us initially was that the singer’s Hoboken, New Jersey birthplace is located in Hudson County, not Bergen County. So what DID happen that resulted in these shots?

It turns out that this is an early case of cherchez la femme in Sinatra’s life. The year is 1938, and Sinatra is 23 years old.  He somehow gets himself involved with a young woman who lives in Lodi, New Jersey, which is in Bergen County.

According to law enforcement records, “on the second and ninth days of November 1938 at the Borough of Lodi” and “under the promise of marriage” Sinatra “did then and there have sexual intercourse with said complaintaint (the lass from Lodi), who was then and there a single female of good repute.”

Sinatra was charged with “seduction and adultery,” which sounds like an Italian movie title of the Sixties. Yes, reneging on a promise to marry was then considered a legal offense. Bergen County authorities were therefore dispatched to Hoboken to make the arrest.

As it turned out, the charges against Sinatra were later dismissed because the woman was married at the time of her fling with the young, unknown singer. Oops!

Within a year after these shots were taken, Sinatra actually did get married for the first time.

The bride was Nancy Barbato, an olive-skinned, brunette daughter of a Jersey City plasterer.  According to author Arnold Shaw’s 1968 book — Sinatra: Twentieth-Century Romantic — the singer said that In Nancy, he had found beauty, warmth and understanding. Being with her was my only escape from what seemed a grim world.

Sinatra’s marriage to Nancy lasted until 1951, and Sinatra married three more times — twice to famous actresses.  

Can you name them?

 

 

 

 

 

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Posted in Rare Photos - Tagged Is there a mug shot of Frank Sinatra?, Was Frank Sinatra ever arrested?

What’s “A Working Actor”? (Richard Jaeckel, anyone?)

Jan27
2012
2 Comments Written by classicmovieguys

By our definition “a working actor” is an actor or actress who, while he may never achieve stardom, has a long and productive career, earns a better than decent living, and has the admiration of his peers.

Back in the Golden age of Hollywood there were many such beings.  Margaret Hamilton comes to mind.  So does Harry Davenport.

You’ll undoubtedly remember her because of her immortal “witch” in 1939′s The Wizard of Oz.  Davenport’s name might not ring a bell, but when we say he was Dr. Meade in Gone With the Wind and Grandpa in Meet Me in St. Louis, you’ll immediately conjure up his face.

Hi everyone, your classic movie guys, Joe Morella and Frank Segers, back again, noting that today we still have “working actors.”

One of Joe’s personal favorites is Bruce Davidson. Over the recent Holiday Season Joe taped a Movie for Television, Christmas Angel, because he’d seen Davidson’s name in the credits and knew if he was in it, the project had merit.  He wasn’t disappointed.

We’re sure the film will be revived on tv next December and probably every December.  If you can’t wait, get the DVD.

Davidson (above) has had a career that’s been interesting to follow.  He started playing a teenager (although he was 23)  in Frank Perry’s landmark film Last Summer. He worked constantly in films and on stage.  He hit it big with a supporting role in Longtime Companion, one of the first films about the AIDS epidemic, and received an Oscar nomination.

And he reminds us of another “working actor,” Richard Jaeckel, a man Joe interviewed several times over the years.  Jaeckel DID start as a teenager (17) in 1943′s Guadalcanal Diary, then went on to one of the most successful careers of any “working actor.”

A particular favorite of ours is his performance in 1971′s Sometimes a Great Notion, where he has an unusual death scene with star (and director) Paul Newman. Jaeckel received a nomination for Best Supporting Actor for his efforts.  People also remember him for his part in 1967′s The Dirty Dozen.

He told Joe he took great pride in being known as “a working actor.” Jaeckel worked in films and TV until the end.  He died of cancer in 1997, much too early at 70.

Frank’s pick as the greatest “working actor” ever is Charles McGraw, a beer-drinking blue collar guy who convincingly played cops and bad guys in nearly 70 movie roles beginning in the 1940′s and lasting right into the mid-1970′s.

Among general moviegoers, he is probably best known as a solid utility actor with supporting roles in such major productions as Alfred Hitchcock’s The Birds, Richard Brooks’ In Cold Blood and Stanley Kubrick’s Spartacus.

But it’s McGraw’s principal parts in a series of classic, low-budget film noirs that have burnished his movie legacy to contemporary audiences. Check him out as a hit man in 1946′s The Killers. As a brutal gangster in 1947′s T-Men. Or, as a tough, terse cop in 1950′s Armed Car Robbery.

(We’ll have pictures and lots more to say about McGraw’s remarkable career and tragic, accidental death in 1980 in a series of upcoming blogs.  So, please stay tuned.)

In his introduction to author Alan K. Rode’s Charles Mcgraw: Biography of a Film Noir Tough Guy (McFarland & Co.), Jim Steranko asks:

Is it my imagination or is there a note of irony in the fact that so many of yesterday’s leading men (and women) have vanished from the public consciousness, while certain actors who supported them on the big screen have not only remained cultural favorites, but often become cult icons? 

Cult figures or no, these are our picks as distinguished “working actors.” Who are yours? 

 

 

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Posted in Rare Photos - Tagged Longtime Companion, What's a working actor?, who is Bruce Davidson?, who is Richard Jaeckel?

Taboo Subjects in Films

Jan26
2012
Leave a Comment Written by classicmovieguys

Probably hard to find a subject that’s taboo in today’s film production, but in Hollywood’s heyday there were several topics which the movie moguls of the time found it difficult to address. Racism, Homosexuality, and Euthanasia for starters.

Hello everyone. Your classic movie guys, Joe Morella and Frank Segers, here to continue our look at movies from Universal International in the 1940s.

In post World War II era Hollywood studios started to look at topics once thought too sensitive for American audiences.  The first films to deal with anti-semitism, Gentlemen’s Agreement and Crossfire were released.

At Universal they tackled two subjects which were heretofore untouched, gambling addiction and mercy killing.  Long before anyone had ever heard of Dr. Kevorkian, mercy killing or euthanasia was a topic, like cancer, which when discussed, if at all, was done so in whispered voices.

But in 1949 Universal release An Act of Murder (also released as Live Today for Tomorrow).  It was a serious look at what confronts a man when his wife is suffering excruciating pain.  Make the man a Judge, who believes in the letter of the Law, and the story has even more weight.

Frederic March played the Judge.  Florence Eldridge his wife. (The two, pictured above, were married in real life as well.)  Geraldine Brooks as their daughter and Edmond O’Brien as an attorney also give great performances.  It’s not a classic but it’s worth a look.

The Lady Gambles starred Barbara Stanwyck, Robert Preston as her husband and Stephen McNally as the evil casino owner in what had to be the first film ever to explore the addiction of gambling.  Of course in 1949 only Nevada had legalized gambling, and most people, especially women, weren’t exposed to the vice.

But when exposed the Stanwyck character falls fast and although there’s a somewhat happy ending we learn a bit about why a person might be susceptible to the problem.(hint: something to do with self esteem).

See the film for Barbara’s (usual) stellar performance.

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Posted in Rare Photos - Tagged Dr. Kevorkian, gambling addiction, mercy killing, what were taboo subjects in films?

What’s An Old Fashioned, Charming Picture Doing in a Place Like This?

Jan25
2012
1 Comment Written by classicmovieguys

Ever want to watch a good, old fashioned, charming movie which might not necessarily qualify as a classic but will still entertain and leave you with a warm feeling?  They used to make ‘em back in the middle of the last century.

Hi, everybody.  Joe Morella and Frank Segers, your classic movie guys, here again, deciding that before we get off the topic of Universal Pictures and its contributions to memorable ole films, we should highlight a couple of fun features. Not spectacular, just fun.

If you just want to be entertained by an old b&w comedy we have two to recommend.

Once More My Darling stars Robert Montgomery and Ann Blyth in a kind of zany story about an older man forced to woo an heiress.  It’s light and frothy.  Look for stage star Jane Cowl.  She’d been on screen last in 1915, so this was her debut in talking pictures.

Three other old timers, Charles Coburn, Edmund Gwenn and Spring Byington were reunited (they’d starred in 1941′s The Devil and Miss Jones with Jean Arthur and Robert Cummings) for Louisa.

Louisa is a little gem of a film.

The title character (Byington) comes to live with her son, Ronald Reagan and daughter-in-law Ruth Hussey.  Soon she’s being courted not only by the butcher (Gwenn) but by her son’s boss (Coburn).  It’s delightful and gives hope to all that there’s still romance after the age of 60 (or 70).

In the film Reagan has to cope not only with his mother’s romances, but also with his daughter’s. Universal contract player Piper Laurie portrayed the girl who’s involved with (former child star now teenaged) Scotty Beckett.

Remember we told you almost every star in Hollywood eventually wound up at Universal. The cast of this film is loaded with those who’s careers were in decline.  But wait — televison lay ahead.

In fact, this little film was such a success it was used as the basis for a very popular TV series, December Bride, which starred Spring Byington. Her side kick, Hilda, was played by the great radio actress, Verna Felton. And, of course, Reagan went on tho host The General Electric Theatre (among other things)

 

 

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Posted in Rare Photos - Tagged Old Fashioned Movies, Ronald Reagan's Movie Career, Who was Spring Byington

Stage to Screen: Hit To Bomb?

Jan24
2012
Leave a Comment Written by classicmovieguys

Last week we discussed pictures made at Universal-International in the 1940s and whether any of them can be considered “Classics.”  Sometimes a film which ISN’T a “classic” serves another purpose.

Hello, everybody.  Joe Morella and Frank Segers, your classic movie guys, here with more discussion on the studio where Joe once worked — Universal.

In 1948, rather ambitiously, the studio bought two hit Broadway dramas and put them on film. Though neither movie ranks in cinema history as a must-see gem, both are worthy of at least a look, if only because of the performances.

All My Sons was Arthur Miller’s first hit on Broadway, but through the years it has been overshadowed by his master work, Death of a Salesman.  However, the film version of All My Sons is a powerful piece.  Edward G. Robinson stars as Joe Keller, a war profiteer, whose son, played by Burt Lancaster, unravels the dirty secrets of his father’s business with devastating results.  (That’s Burt and Louisa Horton as his girl, with Robinson and Mady Christians as his parents pictured above)

Another Part of the Forest is Lillian Hellman’s prequel to The Little Foxes.  It had been a hit on stage and introduced Patricia Neal to the public.  But in the movie version Universal gave her part (the young Regina Hubbard) to established star Ann Blyth. (Regina had been portrayed in 1941′s The Little Foxes by Bette Davis.  Her scheming brothers by Carl Benton Reid as Oscar and Charles Dingle as Ben)

In Another Part of the Forest Regina’s brothers were played by Edmond O’Brien as Ben and Dan Duryea as Oscar.  (Duryea had played Carl Benton Reid’s son in both the stage and film versions of Foxes. He is pictured below with Reid and Dingle from the 1941 film.)

Forest also starred Frederic March and (real life wife) Florence Eldridge as parents of the Hubbard brood. That’s them below in a shot with O’Brien and Blyth.  Although the story stands on it’s own it’s fun to see the two plays-to-films back to back.

Thus we see with these two films the true value of Motion Pictures.  They can capture for all time stories and performances which might otherwise be lost.  They can also bring to broad audiences around the globe plays which they might never have the opportunity to see.

If you missed the play, see the movie.  But be aware that the movie for any number of reasons might not be as good as the original stage presentation. 

 

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Posted in Rare Photos - Tagged Patricia Neal on Broadway, The Value of Motion Pictures, What was Arthur Miller's first hit play?

‘Mug Shot Mondays’ Begin — With Profuse Apologies to PAUL NEWMAN

Jan23
2012
Leave a Comment Written by classicmovieguys

Take a close look at the above photo of Paul Newman!  We did, and were convinced that this had to be a mug shot.

Hello, everybody.  Joe Morella and Frank Segers, your classic movie guys, here today with a bit of egg on our faces.

We come bearing apologies to you, faithful readers, and to Paul Newman.

Instead of inaugurating our newly-conceived ‘Mug Shot Mondays’ series with a one of those marvelously comical candids of a big stars in the hands of the police, we are compelled today to instead provide — a major correction to our blog of Jan. 11, Paul Newman Mug Shot? See Him As You Never Have!

We theorized after researching the actor’s life that the above photo was a mug shot that resulted from a youthful indiscretion committed while Newman was attending Ohio’s Kenyon College. Some backround:

Newman came from a reasonably affluent middle class family — his father was a sports goods dealer in Shaker Heights, Ohio, a suburb of Cleveland — and in 1943, at the age of 18, he enlisted in the Navy towards the end of World War II.  By 1946, Newman was honorably discharged, and had enrolled at Gambier, Ohio’s Kenyon College on the GI Bill. He was 21 at the time.

Newman always regarded himself as undersized, a frustration since he longed to play college football.  (In fact, he actually made Kenyon’s team but only on the practice squad.) Notice that he stands a tad over 5-foot-9-inches in the above photo.

According to Shawn Levy’s Paul Newman: A Life (published 2009, a year after Newman died), The police got the first word: at approximately midnight on Wednesday, October 23, 1946, somebody at the Sunset Club in Mount Vernon, Ohio — the nearest town to Kenyon — summoned the cops to help break up a fight between some local boys and a band of Kenyon football players who’d come into town to slug back beers and chat up girls.

Involved in the melee unbeknowst to the rowdy collegians were two local deputies in plainclothes. The upshot: six students were arrested. One was Paul Newman. (The charges against Newman and three others were later dropped because, according to the prosecutor, they were a part of the resistance only as they were part of the crowd.)

Still, we figured the above photo was indeed a mug shot stemming from the incident.

We were wrong. No less than the Newman biographer we quoted wrote us with the following:

Howdy. Shawn Levy here.

Hate to rain on a parade in which I myself am marching, but this isn’t a booking photo. It’s an enlistment photo taken when Newman joined the Navy in 1943. It was unearthed last year, I believe, by The Smoking Gun: http://tinyurl.com/3aksw5y.

The story about the melee in Ohio is absolutely true: I read and reported on contemporary police and newspaper accounts. But the Newman you see in this picture is nearly four years younger than the fellow who got arrested that night. Best, Shawn.

Thanks so much for writing in, Shawn, and keeping us honest.  Next Monday, dear readers, we will provide a real mug shot of a famous personality.  Promise.

 

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Posted in Rare Photos - Tagged mug shots, Paul Newman's arrest

Howard Hughes vs. Linda Darnell — Seduction 101!

Jan20
2012
Leave a Comment Written by classicmovieguys

What was it about Howard Hughes?  Why was he catnip to so many beautiful Hollywood actresses?

Couldn’t have been his gorgeous good looks.

Hello, everybody.  Joe Morella and Frank Segers, your classic movie guys, here today wondering if even our beloved Mrs. Norman Maine had an illicit affair with Hughes.

The great Hollywood raconteur Oscar Levant recalled in his The Memoirs of an Amnesiac (1965) that he and guests were once in Chasen’s Restaurant when a slovenly attired man came in and said hello to me. I cut him dead.

Someone said, ‘ That was Howard Hughes.’ Just to reveal my lack of character, I got up, went to his table, and shook hands with him. Howard Hughes’ whims and indulgences make any other Hollywood character look like a pygmy.

In her recollections of Hughes, actress Joan Fontaine — yet another of the mogul’s romantic interests — perhaps hit the nail on the head. She was put off by the fact that everything seemed to be a ‘deal,’ a business arrangement, regardless of the picture he had tried to paint of our future together. 

Then why did Fontaine entertain Hughes’ romantic blandishments?  Money is sexy and he certainly had a blinding overabundance of cash.

OK, this is where Linda Darnell comes in.  Producer-director Otto Preminger noted in his Preminger: An Autobiography (1977) that Hughes was extremely successful with women, partly because of his quiet charm, partly because of his money, and mostly because of his persistence. 

Preminger recalled that Hughes expressed an interest in meeting Darnell, the striking actress who at the time was married, and whose contract at Twentieth Century Fox had several years to run. “I don’t need to know him,” said a dismissive Darnell.

As Preminger tells it, the Howard Hughes seduction machine then kicked into high gear.

Although he was an accomplished golfer, Hughes enrolled in the same golf lessons that Darnell was taking at the time.  

When she saw him there she naturally felt flattered. Hughes introduced himself to the actress, asking her ‘What harm could there be in the two of us having lunch together?’  Darnell said, yes, providing her agent could come along.

Hughes arrived at the appointed hour, picked up Darnell and agent in an old Chevrolet, and drove to his private airfield. Warming up on the landing strip was a Constellation, one of the biggest planes then in use. ‘What’s going on?, asked an alarmed Linda Darnell. ‘We are going to lunch,’ Hughes answered.

The three of them boarded the plane, with Hughes taking the controls.  Destination – San Francisco.

There a car was waiting for them. They were driven to the Fairmont Hotel, which had a spectacular view of the city and the bay.  Hughes had taken an entire floor of the hotel.  A small orchestra played, a delicious buffet was laid out, and waiters served them with great solicitude, Preminger wrote in his memoir.

I don’t exactly know what happened except that Linda got a divorce from her cameraman husband a few months later.

She never married Hughes, though.  It was Preminger’s view that at the time marriage was one human condition Hughes wanted to avoid at any price. (He did, however, wed actress Jean Peters in 1957.  The couple divorced in 1971.)

Hughes is pictured above with Bette Davis.  Another of his conquests.  Her husband named Hughes in his divorce proceedings.

 

 

 

 

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Posted in Rare Photos - Tagged Joan Fontaine, Oscar Levant, Otto Preminger, Who did Howard Hughes marry?

Debating DANNY KAYE — And Other Missives From The Emailbag

Jan19
2012
Leave a Comment Written by classicmovieguys

Hello, everybody.  Joe Morella and Frank Segers, your classic movie guys, here today to answer some of the always welcome emails we’ve received over the last week or two.

As mentioned many times, we love to hear from you. If any of our Classicmoviechat blogs moves you to agree or to loudly disagree, please let us hear about it.

Our Dec. 29 blog questioning why Danny Kaye , a big Hollywood star in the Forties and Fifties, is largely forgotten today, drew this response from Rick 29.

If Danny lacks the following of some of his peers, I believe it’s because he seldom got film roles worthy of his talent. When he did, it was magic. I’d say that ‘The Court Jester’ and ‘White Christmas’ are both beloved films.

(That’s Danny above with ‘Court Jester’ costars Angela Lansbury, left, and Glynis Johns.)

His ‘chalice in the palace’ routine from ‘Court Jester’ is often mentioned among the greatest comedy bits in all of cinema. In a White Christmas docu, Rosemary Clooney seemed to feel Kaye was insecure, especially around Bing Crosby. So, there appear to be a lot of different views about him off the silver screen.

Thanks, Rick.  Yes, there were differing views of Kaye offscreen.  As mentioned in our original blog, Tony Curtis thought him mean-spirited, and couldn’t stand the sight of him. As for Kay’s apparent insecurity, there is always the possibility that he had much to be insecure about.

Regular contributor Patricia Nolan-Hall (Caftan Woman) writes us that, When my daughter was 13 she took her CD collection to a friend’s party. I suggested that maybe she might want to remove the Danny Kaye disc as her friend’s probably wouldn’t know who he was.

She responded that it was time they learned and – guess what? – they all got a kick out of it. Talent will tell, if given the chance.

But correspondent Nancy Mitchell takes the opposite view:  I was always bothered about Danny Kaye. I knew he was talented, but I just didn’t like him. You put it perfectly — there was always an element of a “look at me” attitude in his performances. He didn’t ring true for me.

The three unidentified photos we ran to illustrate our Jan. 2 ‘Happy New Year All’ blog stumped some of you.

Ok, let’s try, wrote Taci. Linda must be Linda Darnell. And Alan Ladd is easy. But who are Jones and Irene and the fourth guy? That’s a bit more difficult. Irene could be a costume designer and the Jones guy looks familiar…

Patricia Nolan-Hall writes: The smile on the fella in trunks is very familiar. It’ll drive me crazy until I know. Kinda Buster Crabbe like, but…I don’t know. Coincidence time: I was just listening to an old Jack Jones album, so it’s nice to see his folks Allan Jones and Irene Hervey in the bottom left photo. Happy New Year!

Yup, it was Buster Crabbe, Alan Ladd, Linda Darnell and Allan Jones and Irene Hervey.  We should also mention, of course, that all the photos came from The Donald Gordon Collection, our private stash of marvelously impromptu shots of Hollywood in the early Forties.

Thanks and, once again, Happy New Year!

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Posted in Never Before Seen Photos, Rare Photos - Tagged Was Buster Crabbe a star?, Who was Danny Kaye?, Who were Jack Jones' parents?

Lawrence of Arabia — Was He Gay?

Jan18
2012
Leave a Comment Written by classicmovieguys

There’s an disturbing scene in David Lean’s 1962 epic Lawrence of Arabia showing Peter O’Toole as T.E. Lawrence stripped bare to the waist submitting to repeated lashes administered by a whip-wielding Turkish soldier.

The sequence goes on for a bit, and O’Toole’s face registering the great pain his character is enduring is tough to watch. Finally, there’s a tight closeup on the face of the Ottoman Turk governor or Bey (played by Jose Ferrer), who had ordered the flogging, and has been silently observing its execution.  The character ever so subtly licks his lips.  End of scene.

Hello, everybody.  Joe Morella and Frank Segers, your classic movie guys, here to introduce our Books2Movies maven Larry Michie’s final Lawrence of Arabia installment which asks the question — was Lawrence gay?

That whipping scene is covered in the movie’s source material, Seven Pillars of Wisdom, T.E. Lawrence’s 1926 historical recollection of his participation in the Arab rebellion against the Turks.  In 1916, in fact, he was captured by Ottoman Turks and subjected to beatings and sexual assaults, prompting speculation ever since that Lawrence was both homosexual and sadomasochistic.

Our man Larry looked into this, poring yet again over his copy of Seven Pillars of Wisdom, and quoting Lawrence’s hyper-rich period prose. Larry writes:

Here’s what Lawrence has to say about all those people in the desert and the matter of sex:

The Arab was by nature continent; and the use of universal marriage had nearly abolished irregular courses in his tribes. The public women of the rare settlement we encountered in our months of wandering would have been nothing to our numbers, even had their raddled meat been palatable to a man of healthy parts.

In horror of such sordid commerce our youths began indifferently to slake one another’s few needs in their own clean bodies — a cold convenience that, by comparison, seemed sexless and even pure.

Later, some began to justify this sterile process, and swore that friends quivering together in the yielding sand with intimate hot limbs in supreme embrace, found there hidden in the darkness a sensual co-efficient of the mental passion which was welding our souls and spirits in one flaming effort.

Several, thirsting to punish appetites they could not wholly prevent, took a savage pride in degrading the body, and offered themselves fiercely in any habit which promised physical pain or filth.”

Whew!

Lawrence did more or less adopt a pair of scamps — that’s what Lawrence calls them in the book — and says they were innocent, but later became sexual like a marriage.

I’ll include the story of an astonished Arab woman who went gaga over Lawrence because she was dazzled by his white skin and blue eyes, something she had never seen before. Certainly many movie-goers furrowed their brows when the evil Bey (Turkish administrator) was just as impressed with the white flesh and blue eyes of Lawrence as was the woman previously mentioned.

As reported by Lawrence in his book, the movie version is on target. Lawrence foolishly, or unluckily, went into the town to get a sense of the Turkish strength there. He was captured and hauled before the Bey, who took him upstairs to his quarters. The Bey told Lawrence that if he would love him the Bey would give Lawrence money, protection, etc.

Lawrence refused the offer and, at the Bey’s command, was given a thoroughly cruel beating (as shown in the movie’s flogging scene described above).

In Seven Pillars of Wisdom, Lawrence said that the Bey watched Lawrence’s beating for a bit, then beckoned to the most handsome young soldier present, and the two went upstairs while Lawrence was still being tortured.

Afterward, a couple of soldiers took him outside, and once they were out of sight of the Bey they treated him kindly and let Lawrence leave in peace.

But enough of Arab sexual habits — what people still wonder about is Lawrence himself and they’ll have to keep wondering because Lawrence isn’t telling.

 

 

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Posted in Rare Photos - Tagged Are there gay scenes in Lawrence of Arabia?, homosexuality in classic films, Was T. E. Lawrence gay?, Was the homosexuality in the film Lawrence of Arabia taken from the book?
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